The Sea is a Moon Scar , exhibition view of paintings and installation for performance, Cité Internationale des Arts Paris, 2025. This is a new series of paintings of lithic & plant-based pigments on silk that explores hydro-feminist ecologies
The Sea is a Moon Scar - Kelp Umbilical Cord , 2025 40x50cm / 16”x20” India ink, indigo, lapis lazuli, malachite, selenite, vert de cuivre (copper green), bleu égyptien (copper & sodium carbonate), Seine River water, gum arabic & glyceri
The Sea is a Moon Scar - Molten Mass , 2025 40x50cm / 16”x20” India ink, lapis lazuli, bleu égyptien (copper & sodium carbonate), Seine River water, gum arabic & glycerin on silk faille
The Sea is a Moon Scar - Centuries of Rain , 2025 40x50cm / 16”x20” India ink, indigo, lapis lazuli, malachite, selenite, Seine River water, gum arabic & glycerin on silk faille
Eclipse Dance - Liberation Work 1 a solo performance seen with Atmosphériques paintings, Cité Internationale des Arts Paris, 2024 Photo: Cité internationale des arts © Maurine Tric / Adagp, Paris 2024.
Atmosphériques at Cité Internationale des Arts Paris, 2024 Photo: Cité internationale des arts © Maurine Tric / Adagp, Paris 2024. I’m interested in expressing the embodied and psychological experience of living through extreme climate change. Du
Paintings & video installation view, Cité Internationale des Arts Paris, 2024 Photo: Cité internationale des arts © Maurine Tric / Adagp, Paris 2024. The Atmosphériques series are also in-dialogue with the corporal and ecological images that
Atmosphériques - Lumière , 2024 80x120cm / 32”x48” India ink, indigo, lapis lazuli, malachite, green earth, seashell pigments, Seine River water, gum arabic & glycerin on silk faille
Atmosphériques - Nuages , 2024 80x120cm / 32”x48” India ink, indigo, lapis lazuli, malachite, selenite, green earth, seashell pigments, Seine River water, gum arabic & glycerin on silk faille
Atmosphériques - Pluie , 2024 80x120cm / 32”x48” India ink, indigo, lapis lazuli, malachite, green earth, seashell pigments, Seine River water, gum arabic & glycerin on silk faille
Atmosphériques - Feu , 2024 80x120cm / 32”x48” India ink, indigo, lapis lazuli, malachite, selenite, vert de cuivre (copper green), bleu égyptien (copper & sodium carbonate), gum arabic & glycerin on silk faille
Shadow of the Sea - Score for Stanza 4: X (hell is not a place underground, hell is an earth that has no ground) , 2022. 23×30cm / 9”x12” India ink & gouache on paper Performance score for evening-length performance work Shadow of the Sea.
Cara McManus, Beau Bree Rhee, and Caitlin Scranton in Shadow of the Sea , 2022. Performance view. Presented by The Kitchen with Madison Square Park Conservancy. Photo by Walter Wlodarczyk. Shadow of the Sea Stanza 1: A Brutal Meditation (A bris
Cara McManus and Caitlin Scranton in Shadow of the Sea , 2022. Performance view. Presented by The Kitchen with Madison Square Park Conservancy. Photo by Walter Wlodarczyk. A moment depicting Stanza 1: A Brutal Meditation (A brisk walk with tender
Cara McManus, Beau Bree Rhee, and Caitlin Scranton in Shadow of the Sea , 2022. Performance view. Presented by The Kitchen with Madison Square Park Conservancy. Photo by Walter Wlodarczyk.
Stanza 5: Insurrection (Big Turtles). Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Shadow of the Sea , 2022. Rehearsal view. Presented by The Kitchen with Madison Square Park Conservancy. Film photo by Mimi Guan.
Bria Bacon and Cara McManus in Shadow of the Sea , 2022. Performance view. Presented by The Kitchen with Madison Square Park Conservancy. Photo by Walter Wlodarczyk.
Stanza 7: Era of Loss. Bria Bacon, Cara McManus, Chaery Moon, Beau Bree Rhee, and Caitlin Scranton in Shadow of the Sea , 2022. Performance view. Presented by The Kitchen with Madison Square Park Conservancy. Photo by Rashmi Gill/ Mad. Sq. Pk. Con
Shadow of the Sea - Score for Stanza 5: Insurrection (Big Turtles) , 2022. 23×30cm / 9”x12” India ink & gouache on paper
Menwee Series , 2021 27.5x35.5cm / 11”x14” each in a series of 6 India ink, gouache, mineral stone pigment, soil pigment from the unsurrendered indigenous land of the Shinnecock Tribe, Wampum pigment on archival paper. solo exhibition view of Les
Corporality n10, 2021.10.31 17h-19h , 2021 112x137cm / 44”x54” Mineral blue stone pigment, soil pigment from the unsurrendered indigenous land of the Shinnecock Tribe, oils on silk habotai. solo exhibition view of Les Parages at Ma’s House &amp
Les Parages East West, film still from dance film, 2021. In collaboration with Jeremy Dennis. This is a film still that shows an aerial view of a baybeach with a dancer on a textile surface in a low lunge with arms in a diamond, with a sharp sha
Les Parages East West, film still from dance film, 2021. In collaboration with Jeremy Dennis. The body acts as a lattice or prism for shadows and spirits. A body-shadow duet. The work pays tribute to the deep time that connects this land, shore
Corporality (Les Parages East West) n11 , 2021.11.9 10h-14h , 2021 137x145cm / 54”x57” Mineral blue stone pigment, soil pigment from the unsurrendered indigenous land of the Shinnecock Tribe, oils on silk faille solo exhibition view of Les Parages
Équilibre de masse / Equilibrium of Mass n°1 with Soil Installation, 2022 100x150cm / 40”x60” Archival giclée print mounted on aluminum, 35mm film photograph of land performance (performance print) with installation of soil cubes and cover crops.
Équilibre de masse / Equilibrium of Mass n°2 , 2022 30x40cm / 12”x16” 35mm film photograph of land performance (performance print) ‘Équilibre de masse’ is a performance for a forest, and part of an ongoing earth work Dream Garden in the Anthro
Shiny wet earth, hollowed body: anthocyanin arcs , 2022-2023 90x120cm / 36”x48” India ink, charcoal, soil pigment from the Shinnecock Tribal Nation, stone pigment from Joshua Tree National Park, earth pigments, lapis lazuli, indigo and anthocyanin
Score: Performance Paysage / Performance as Landscape - Reverse Vitruvian , 2020 28x42cm / 11”x16.5” India ink & gouache on archival paper Performance Paysage / Performance as Landscape is an evening-length performance of choreography, poetr
Performance Paysage / Performance as Landscape - Reverse Vitruvian , 2020 Film still from performance documentation with performers Mannon Ahmad, Ariadne Cabon, Eric Duan, Cindy Xinyu Jiang, Oscar Alfonso Lira Sanchez, Lauryn Sherwood, Collin Tatto
Score: Performance Paysage / Performance as Landscape - Concept Diagram , 2020 28x42cm / 11”x16.5” India ink & gouache on archival paper
Brûlée burnt (atmosphère paysage octobre) Burnt brûlée (October landscape atmosphere) 2020 30x40cm / 12”x16” India ink and gouache on archival paper A series of work I created during the pandemic, depicting the increasingly apocalyptic images of
Dance Drawing Ecology: Why Make Another Beautiful Thing? A workshop on drawing & performance at Haute école d’art et de design Genève (HEAD) MFA Program, 2019
Dance Drawing Ecology: Why Make Another Beautiful Thing? workshop on drawing & performance at Haute école d’art et de design Genève (HEAD) MFA Program, 2019
Danse-dessin-poeme N1 , 2019 76×178cm / 30×70” India ink & gouache on paper A drawing linking gesture, calligraphy and language
Corporality-1, 20172017.7.13 18h30-19h30 2017 Soap and pigment on paper 274cm x 366cm / 9 ft x 12 ft A large-scale movement trace drawing that was created during the performance of Analemma. An analemma is the shape the sun makes in the sky duri
Body-Space Diagrams , 2018 21x28cm / 8.5”x11” each India ink on archival paper group exhibition Julius Eastman: That Which is Fundamental at The Kitchen 2018
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